The Bella Davidovich Collection contains papers, photographs, scores, and recordings relating to the life and career of pianist, Bella Davidovich. Davidovich is a celebrated soloist and chamber musician, appearing frequently with her son, violinist Dmitry Sitkovetsky. She is a renowned Chopin interpreter, having won the International Chopin Competition in 1949. Davidovich enjoyed a long, illustrious career in the USSR until her son came to the US to study at Juilliard. After his emigration, Davidovich's international concert dates were cancelled; as a result, she chose to join Sitkovetsky in America, debuting at Carnegie Hall in 1979. Since then, she has built a highly successful international career as a performer, teacher, and adjudicator, serving on the faculty of the Juilliard school and on juries of some of the most prestigious international competitions. Expand the menus below for additional information.
18.00 Linear Feet
English
Bella Davidovich was born in Baku, Azerbaijan (at that time, the Azerbaijan Soviet Socialist Republic) on July 16, 1928. She began playing the piano by ear when she was three years old and began formal piano lessons when she was six. Her early concerts in Baku up until she was thirteen included performances of Concertos by Beethoven, Schumann and Grieg. She was sent to Moscow to study with Konstantin Igumnov, but her studies were interrupted by the outbreak of World War II. She resumed her studies with Igumnov in 1946 and continued with him until his death in 1948. She received additional coaching from Yakov Flier. At the age of twenty-one, Davidovich’s international career was launched when she won the 1949 Chopin Competition in Warsaw (sharing first place with Halina Czerny-Stefanska). The following year she performed with the Leningrad Philharmonic and toured extensively with that orchestra over the next twenty-eight seasons. During that time, she played as many as seventy concerts a year in the Soviet Union, in addition to concerts in Eastern Europe. In 1950 she married the acclaimed Soviet violinist Yulian Sitkovetsky, who died in 1958 at the age of 32. Their son, Dmitry Sitkovetsky (born 1954) is a world-renowned violinist and conductor. Davidovich was among the most highly regarded artists in the Soviet Union, but government restrictions prohibited her from performing in the West until 1967, when she gave concerts in Amsterdam. In 1978, she abandoned her engagements in Europe and applied to emigrate to the United States to be with her son, who had emigrated the previous year to study at the Juilliard School. Though she was not widely known in the West, she quickly established herself among the greatest of pianists beginning with her 1979 Carnegie Hall debut. Davidovich’s repertoire is wide-ranging, with a particular emphasis on the Romantics. She has built a considerable reputation as a Chopin specialist. She has been soloist with the leading orchestras of the United States and throughout the world, and has performed frequently with her son, Dmitry Sitkovetsky. She has held teaching posts at the Moscow Conservatory and the Juilliard School and served on the juries of several international piano competitions, including the Chopin, Leeds and Queen Elisabeth competitions. Her many recordings have appeared on the Melodiya, Philips, Delos and Orfeo labels.
The Davidovich Collection is arranged into two series and nine subseries. The series delineate the original donation and the 2019 supplementary donation, while the subseries organize materials by type.
Series Description:
SERIES I: Original Donation
Subseries I: Concert Programs
Subseries II: Articles and Reviews
Subseries III: Photographs
SERIES II: Supplemental Donation, Summer 2019
Subseries IV: Correspondence
Subseries V: Adjudication Materials
Subseries VI: Awards, Certificates, Celebratory Materials
Subseries III, Part II: Photographs
Subseries VII: Dmitry Sitkovetsky Materials
Subseries VIII: Recordings
Subseries IX: Scores
Please see the detailed finding aid under inventories/additional information for an item-level overview of the collection.
Part of the Michelle Smith Performing Arts Library