A specialist in the philosophy of music education, aesthetic education, comprehensive arts programming, Bennett Reimer (1932-2013) was an American music educator and scholar who served as chair of the Music Education Department at Northwestern University where he was the John W. Beattie Professor of Music Emeritus. He authored over two dozen books and more than 150 articles, chapters, and reviews. In addition, Reimer served on editorial boards for many major music publications, as well as representing MENC on many executive boards. The collection consists of published works and accompanying materials, including his book A Philosophy of Music Education, first published in 1970, unpublished works, journal articles, guest lecture materials and drafts of speeches given by Reimer, and materials related to Reimer’s textbooks on music for grades one through eight, Silver Burdett Music, which were the most widely used throughout the United States and the world for two decades.
There are no restricted files in this collection.
Materials from this collection must be used in the Michelle Smith Performing Arts Library's Irving and Margery Morgan Lowens Special Collections Room, 10:00 am to 5:00 pm, Monday through Friday. Please make an appointment with the curator: Tel: 301.405.9220, Email: scpa@umd.edu
All copyrights and intellectual property remained with the creator and his heirs and assigns.
19.50 Linear Feet
English
The Bennett Reimer papers cover the period from 1956 to 2013. The papers consist of published works and accompanying materials, including his book A Philosophy of Music Education, first published in 1970, unpublished works, journal articles, guest lecture materials and drafts of speeches given by Reimer, and materials related to Reimer’s textbooks on music for grades one through eight, Silver Burdett Music, which were widely used throughout the United States and the world for two decades.
Bennett Reimer (1932-2013) was an American music educator and scholar. He received a Bachelors degree from the State University of New York at Fredonia in 1954, and later received an MS and Ed.D from the University of Illinois at Urbana-Champaign in 1955 and 1963.
Reimer took several academic appointments, including the Richmond Professional Institute, College of William and Mary from 1955 to 1957, Madison College from 1958 to 1960, and the University of Illinois at Urbana-Champaign from 1960 to 1965. Reimer also held the Kulos Chair of Music Education at Case Western University from 1965 to 1978, and the John W. Beattie Chair of Music Education at Northwestern University from 1978 to 1997.
Reimer’s writing, teaching, and lecturing covered a diversity of topics including philosophy of music education, aesthetic education, curriculum theory, research theory, multicultural issues, musical intelligences, interdisciplinary arts principles, teacher education, international music education issues, and applications of cognitive psychology to music learning. A Philosophy of Music Education, published in 1970 (with second and third editions published in 1989 and 2003), did much to shape philosophical discourse in music education, arguing for an expanded and comprehensive music pedagogy that focuses on more than performance and that enhances children’s abilities to engage in aesthetic perceptual structuring. Reimer believed the value of music education is determined by the value of music itself, and the goal of music education should be to make these musical values available to all through comprehensive education and musical experiences and should be built on a strong philosophy of music education. Reimer also firmly believed music shapes and enhances human life through experiencing, creating, and sharing music with one’s self and others. Reimer argued music’s ability to evoke emotional reactions is a defining characteristic of the art, and in turn, music education could be considered the education of feeling. Reimer influenced the development of the National Standards movement, refereed literature in music education philosophy, and composition education for K-12 students.
Reimer was director of and participant in many national and international projects, and lectured and presented keynote addresses worldwide. Other notable publications of Reimer’s include Toward an Aesthetic Education (1971), Silver Burdett Music Grades 1-8 (1974), The Arts, Education and Aesthetic Knowing (1992), (as co-editor) On the Nature of Musical Experience (1992), and Seeking the Significance of Music Education (2009), as well as over 150 articles and chapters and two dozen books on arts education. He was inducted into the Music Educators Hall of Fame in 2002, and received the Senior Researcher Award from the Music Educators National Conference in 2008. Reimer died in 2013.
Reimer, B. (2003). A philosophy of music education: Advancing the vision. Pearson College Div.
Reimer, B. (2000). Performing with Understanding: The Challenge of the National Standards for Music Education. National Association for Music Education, 1806 Robert Fulton Drive, Reston, VA 20191.
Reimer, B. (2009). Seeking the significance of music education: Essays and reflections. R&L Education.
This collection is minimally processed. Materials are in order by the six accessions that comprise the collection.
The collection was received in four gifts from Bennett Reimer between July 2012 and November 2013. Dr. Kenneth Elpus (UMD) contributed a memorial service program from January 2014.
Part of the Michelle Smith Performing Arts Library