Box 39
Container
Contains 13 Collections and/or Records:
Schenker, Heinrich. Free Composition. Translated and edited by Ernst Oster. New York: Longman, 1979. [Several notes indicating which excerpts were used in various classes], 1979
File — Box: 39, Folder: 1.0
Sessions, Roger. Harmonic Practice. New York: Harcourt, Brace, & Co., 1951
File — Box: 39, Folder: 2.0
Smallman, Basil. The Background of Passion Music: J. S. Bach and His Predecessors. London: SCM Press, 1957
File — Box: 39, Folder: 3.0
Soderlund, Gustave Frederic. Direct Approach to Counterpoint in 16th Century Style. New York: F. S. Crofts & Co., 1947
File — Box: 39, Folder: 4.0
Stevenson, Robert Murrell. Juan Bermudo. The Hague: Martinus Nijhoff, 1960
File — Box: 39, Folder: 5.0
Strange, Alan. Electronic Music: Systems, Techniques, and Controls. [Dubuque, IA?]: William C. Brown Company, 1983
File — Box: 39, Folder: 6.0
Strange, Alan. Electronic Music: Systems, Techniques, and Controls. 2nd ed. Dubuque, IA: William C. Brown Company, 1983
File — Box: 39, Folder: 7.0
Stuckenschmidt, H. H. Twentieth Century Music. Translated by Richard Deveson. New York: McGraw-Hill, 1970
File — Box: 39, Folder: 8.0
Symphony Magazine [Only pp. 30-38 included: Program notes for Symphony No. 2, Op. 72 by Ernst Toch], ca. 1952-1953
File — Box: 39, Folder: 9.0
Found in:
Michelle Smith Performing Arts Library
/
Lawrence K. Moss papers
/
Books and Serials with Substantive Marginalia by Moss
Dates:
ca. 1952-1953
Tosi, Pier Francesco. Observations on the Florid Song. Translated by John Ernest Galliard. London: n. p., 1926?
File — Box: 39, Folder: 10.0
Found in:
Michelle Smith Performing Arts Library
/
Lawrence K. Moss papers
/
Books and Serials with Substantive Marginalia by Moss
Dates:
1926?