Clarinetists -- United States.
Topic
Subject Source: Unspecified ingested source
Found in 4 Collections and/or Records:
Daniel Bonade papers
Collection
0010-SCPA
Found in:
Michelle Smith Performing Arts Library
Abstract
Daniel Bonade, Swiss-born American clarinetist, teacher and writer, was born in 1896 in Geneva, Switzerland and began playing the clarinet at the age of eight. He studied at the Paris Conservatoire and in 1913 won the prestigious Premier Prix. In 1917 while touring the United States, Bonade was offered the principal clarinet position of the Philadelphia Orchestra. In 1930 he left the Philadelphia Orchestra and continued his orchestral career with positions in the Cleveland Symphony...
Dates:
1813-1979; Majority of material found within 1917-1960
Eric Simon manuscripts collection
Collection
0368-SCPA-ICA
Found in:
Michelle Smith Performing Arts Library
Abstract
Eric Simon (b. 1907- d. 1994) was a Viennese clarinetist, composer, and conductor. This collection contains manuscripts of arrangements and original compositions by Simon, as well as other pieces for clarinet.
Dates:
1949-1951, undated
Frank Colantuono papers
Collection
0337-SCPA-ICA
Found in:
Michelle Smith Performing Arts Library
Abstract
Frank Colantuono (1929-2015) was an American clarinetist, freelance musician, and member of the International Clarinet Association (ICA) involved in many bands and ensembles throughout his lifetime. This collection consists of both personal and professional papers including handwritten notes, correspondence, sheet music, clarinet exercises, diagrams/charts, clarinet technique papers, catalogs, articles and clippings related to clarinet techniques, and his membership in the International...
Dates:
1994-2006, undated; Majority of material found in 1994-2000
Russell S. Howland papers
Collection
0316-SCPA
Found in:
Michelle Smith Performing Arts Library
Content Description
The bulk of the Russell S. Howland papers consists of original holograph scores and arrangements by Russell Howland; in some cases related descriptions by the composer have been retained as well. Most of the compositions are intended for concert band or small woodwind ensembles and date from 1944 to 1971.
Dates:
1920-1958, undated